Wednesday, September 2, 2009

No Double Cross for the Reader With This One

Boy! This guy means business, his face set in deadly grim determination. His six-gun is flaming from inside a cloud of gunsmoke. He’s fanning shot after shot. One dirty dog is dead at his feet, spurs up, dust soaking up his blood. Wow!

By the time Tom West wrote this sharply-paced oater in 1962 he was an old hand at western melodramas and the Ace Double novel format in particular. From the early ‘50s to the early ‘60s he wrote some 15 titles for Ace, and followed up with twice as many more by the early ‘70s. All of these were of the rip-roarin’ shoot-em-up variety, many with great titles and some with great covers. A list below gives you an idea of West’s output.

I looked for information on West on the Web but found almost nothing. His actual name was Fred East, which makes the West pseudonym humorous. One library entry states he was born in 1895 in London, which would jibe with a short, three-paragraph biography printed at the front of the F-149 Ace Double Dead Man’s Double Cross. That entry says that he served in World War I and was honorably discharged in his early twenties. His first literary attempt was a war novel that he had written while convalescing. The manuscript never was published, having met a fiery end. Apparently his mother burned the filthy rucksack he brought home from the army. Everything in it was destroyed, including the manuscript he had stuffed inside.

West (East) left England for America to further regain his health. The biography does not mention if he was wounded during the war. He took a number of jobs, including ranching, before turning back to writing. Copywriting, reporting, editing, and free-lance article writing helped nurture his skills. Then he began writing Western novels.

He had a good home with Ace, in their double novel and occasionally in their single novel format. It doesn’t appear that he was often published by other companies.  One title, Ghost Gold was published by Pocket Books (#733) after a hard cover publication. Flaming Feud may have begun life as a hard cover, too, then went to paperback at Magnum Books.  At the time Dead Man's Double Cross was published (1962), West claims to have written 36 novels.  He ghost wrote some series like the Peter Field Powder Valley stories, and had some short stories published in magazines like Triple and Action-Packed Western at the tail end of the pulp era.  Why the move from hard cover to Ace Doubles is not known, but money is often at the heart of such matters.

I was a bit confused by the voice West used to tell his story. It differs from other books of his I’ve read. Rather than the cool, grammatically correct third person limited perspective used to good effect by many authors West opts for something a little more colloquial. His dialogue especially is peppered with words like “wal” (well), “hyar” (used in “now see here”), “jest” (just), “lamp” or “lamped” (see or seen), “chew it” (explain), and many others. Even descriptive text is flavored with a down-home feel, giving the reader the sense that the book was written years ago. In fact, the story sounds like something that might have been written in the ‘30s by B.M. Bower, maybe, or by Clarence Mulford. The cowboy humor in particular is in the same vein as Mulford’s Hopalong Cassidy epics.

This appears to be a choice the writer made that differed considerably from the past few projects of his I’ve read. Don’t get me wrong. It’s a good choice. I liked the story. The sly humor especially keeps this twisty tale entertaining and adds dimension to the characters.

Much of Dead Man’s Double Cross is filled with action, and these many moments race along at a brisk pace. West can sure tell an entertaining story. The only slower moment in this 50,000-worder is the three-page fist-fight scene between the lead, Joe Garth, and one of his deadly enemies. It’s not that the scene is really slow; it’s that I’m biased. To my taste, few people can describe a fist fight as well or as interestingly as Louis L’Amour.

All in all, though, this is a pretty good pull-yourself-up-by-your-own-bootstraps story. Very much fun.

A TOM WEST BIBLIOGRAPHY
• Ghost Gold (1950 reprint from 1949 Dutton hard cover)
• Flaming Feud (1951)
• Gunsmoke Gold (1953)
• Vulture Valley (1953)
• Lobo Legacy (1954)
• Torture Trail (1957)
• Lead In His Fists (1958)
• Slick on the Draw (1958)
• The Cactus Kid (1958)
• Twisted Trail (1959)
• Nothing But My Gun (1960)
• The Phantom Pistoleer (1960)
• Side Me With Sixes (1960)
• Double Cross Dinero (1960)
• Killer's Canyon (1961)
• The Gun From Nowhere (1961)
• The Buzzard's Nest (1962)
• Battling Buckeroos (1962)
• Triggering Texan (1963)
• Lobo Lawman (1963)
• Gallows Gulch (1963)
• Don't Cross My Line (1964)
• The Man at Rope's End (1964)
• Sidewinder Showdown (1964)
• Bushwack Brand (1965)
• The Toughest Town in the Territory (1965)
• Battle at Rattlesnake Pass (1965)
• Lost Loot of Kittycat Ranch (1965)
• Rattlesnake Range (1966)
• Hangrope Heritage (1966)
• Bitter Brand (1966)
• Showdown at Serano (1967)
• Crossfire at Barbed M (1967)
• Bandit Brand (1967)
• The Face Behind the Mask (1968)
• Write His Name in Gunsmoke (1968)
• Black Buzzards of Bueno (1969)
• Renegade Roundup (1969)
• Scorpion Showdown (1969)
• Desperado Doublecross (1970)
• Lobo of Lynx Valley (1971)
• Sweetgrass Valley Showdown (1971)
• Corral This Killer (1973)
• Lone Gun (1974)

5 comments:

  1. The again it could have been a few writers using the pen name. Great cover images by the way.

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  2. I recently came accross your blog and have been reading along. I thought I would leave my first comment. I dont know what to say except that I have enjoyed reading. Nice blog. I will keep visiting this blog very often.


    Betty

    http://mortgagecalculato-r.com

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  3. Thanks, Betty. I try to post two or three times a month - each post with new material. Don't forget to scan down the right side of the blog to the Followers section, and click on Follow.

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  4. Archavist, of course you're right about multiple authors. People more deeply connected than me will know more than I do about that. Some of the cover images, as you probably know, come from a variety of sites on the web. Usually, the main image being discussed is one in my personal library. 'Tho sometimes I get lazy and steal one from the 'Net rather than scan a book I own.

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